Category: craft

It’s two things, on the same needle, being knitted at the same time! (I may be unreasonably excited about this.)

I’ve wanted to learn how to knit two-at-a-time for a while now. Since I seem to have turned into a sock knitter (and designer) despite my early reservations, the idea of being to knit two identical socks held a lot of appeal. While it would probably have been possible to learn from the internet, sometimes it’s just easier and more fun to take a class.

Which is why, two weeks ago, I took a Two-at-a-time Anything workshop taught by Clare Devine at Ginger Twist Studios in Edinburgh. It was my first time at the shop which is absolutely tiny yet still somehow stuffed with a beautiful range of yarns (also available from the website) without being so stuffed that you feel overwhelmed. The advantage of the shop being tiny is that workshop numbers have to be small so there were just four students which meant plenty of opportunities to ask questions or get one-on-one help from Clare. However, as it turned out, we didn’t really need much of that. After some initial hiccups at the casting-on stage (which led to much discussion about how to avoid accidentally knitting with the tail when using a long-tail cast-on), we all seemed to settle into the natural logic and rhythm of knitting two things at the same time and the workshop turned into more of a tea and chat while knitting session which was also great.

The workshop project was a pair of armwarmers (really just two stocking stitch tubes) although the notes do include a pattern for a pair of socks with full instructions on how to manage adding heels and toes when working two-at-a-time. I’m undecided as to whether to just cast off the armwarmers as they are or whether to try adding a heel to them for practice. They’re a bit narrow for me to wear as socks but I might be happy to sacrifice the yarn for the sake of expanding my knowledge of the technique. On the other hand, it’s not very warm today and a new pair of armwarmers might be just the thing!

After the wedding, I “borrowed” the veil to wash it, reblock it and take some better pictures of it since I hadn’t had time for those before I had to get it to the bride. I’m really glad I did because I found this:

That, my friends, is a rip: one cut or snapped thread and two unravelled rows. I did see one of the guests get her bracelet caught in the veil when she hugged my sister so I think the thread was either snapped or weakened at that point and it was just very lucky that there wasn’t a bigger hole by the time it was spotted.

After an initial moment of panic, I caught all the loops that I could see with safety pins to prevent anything unravelling further:

Then I put the shawl aside for 24 hours while I gathered the courage to tackle the repair.

The next evening I sat down with a glass of wine and some chocolate and started researching how to repair lace shawls. I was surprised to find that there’s very little information out there. Endless tutorials and videos on how to repair mistakes in lace as you’re knitting it and references to a couple of books that might have more information: Margaret Stoves’ Wrapped in Lace (available in hard-copy but not electronically and wouldn’t be with me before I had to return the shawl) and Elizabeth Lovick’s Magical Shetland Lace Shawls to Knit (due to be published September 2015) but almost nothing that could help right there, right then.

What I did find was a very old Knitty article on general knitting repair which helped me figure out a plan.

I had two missing rows of knitting and had the loops of the stitches in the row above and row below these. For one of the missing rows, I had the unbroken strand of yarn that should form the loops of that row but the strand for the other was the strand that had snapped. I was also lucky that the sections of the two rows that had unravelled were basically stocking stitch so there wasn’t any complicated lace patterning to be recreated.

Tackling the easier problem first, I used a crochet hook to re-form the stitches using the unbroken strand pulling the strand through each of the loops in the row below in turn and placing the newly formed stitches onto a holder.

For the other row, I grafted the stitches that I had just made with the crochet hook to the loops of the row above using Kitchener stitch with a length of spare yarn and a sewing needle. I tried to make sure when I was securing the ends of the new yarn that I also caught the ends on either side of the section of yarn that had split so that it wouldn’t unravel any further.

The finished repair isn’t perfect. I should possibly have added an extra horizontal strand as described in the “Tears and holes — weaving method” section of the Knitty article before grafting. However, you have to look quite carefully to find it and it won’t be visible when the shawl is used.

Also, the shawl already has quite an “antique” feel to it (lots of the wedding guests couldn’t believe that it was finished less than 72 hours before the wedding and not decades earlier) so a small repair absolutely isn’t out of place in an item that is hopefully going to be a beloved family heirloom.

I also hope that if you’ve found this post because you’re looking for the same help that I was that it has been useful!

164,000 stitches + 1500m of silk thread + 350 hours of work = one cobweb-weight wedding veil and a delighted bride.

I’m so pleased with how this turned out. It was an insane amount of work and it isn’t perfect but it is beautiful and everything I hoped it would be.

Remember those stitch patterns that I claimed would really “pop” after blocking?

Speaking of the blocking, it turned out not to need to be painstaking after all. A simple wash and stretching out was enough to let the stitch patterns shine. I could have pinned out the edges to get a more even circle but the slight unevenness doesn’t show at all when the shawl is worn.

The shawl is now destined for life as a family heirloom. It’s somewhat impractical for every day use but will make a beautiful christening shawl when the time comes.

 

* I like to stay positive on the internet, which is why this post’s title is “Once in a lifetime” and not “Never again under any circumstances whatsoever”.

There are approximately 11 days, 23 hours and 18 minutes until my sister’s wedding. The ivory-coloured blob in the picture below is intended to be her veil. In theory, there are the equivalent of about 14 rows of knitting left to do including the cast-off which, at the speed I’ve been averaging on this project, is about 12 hours of knitting. However, there are also a number of dropped stitches and other mistakes that need to be corrected (anywhere you see a safety pin in the pictures) and then there is the blocking which is going to be long and painstaking. Did I mention that I’m working full-time for 8 of those 11 days and that I’ve been asked if the veil can be ready for the Tuesday night before the wedding so that my sister can try it with her dress so really there are only 9 days (of which I’m working 7), 3 hours and 18 minutes? Or that I would really quite like to add another couple of repeats of the final pattern to make it just slightly bigger? It’s do-able but I’m definitely feeling the pressure.

The stitch markers are probably my favourite thing about this project. They’re from fripperies and bibelots on Etsy and come in a delightful little metal tin. These are the “ringOs Mini”and I can confirm that they are absolutely snag-free. They are slightly too big for the needles and yarn that I’m using but that’s because I’m using smaller yarn and needles than any sane person should ever use to knit a garment for an adult. The sets are sold in a variety of colours but the sock knitting sets include “traffic light” markers for marking particular sections of the pattern which I’m using as a visual guide to how far through each round of knitting I currently am. Green marks the first third, amber the middle third and red means that I’m in the home-stretch and need to watch out for the end of round marker to switch to the next row of the pattern.

Speaking of smaller yarn and needles than any sane person should use: the yarn is SS60 Pure Silk from Texere Yarns (3000m per 100g cone) and I’m using 1.75mm Knit Pro needles. My mum (who is probably even more stressed about this project than I am) keeps telling people that “the yarn is so thin, it’s almost like thread” to which I keep pointing out that technically it is thread! (The picture below shows a strand compared to a UK five-pence piece and a US 1-cent coin.) It is knitting up beautifully though. The stitch marker picture above really captures the sheen and softness that the finished veil will have.

The pattern is my own design and incorporates elements to represent the bride, the groom and their relationship. The centre of the shawl has rings of yarnovers to represent the wedding rings. Then there are shamrock leaves (Irish groom) and thistles (Scottish bride):

There are mountains (which is where the proposal took place):

And, finally, hundreds upon hundreds of little love hearts:

I realise that I may be the only person in the world who can currently “see” those elements but I did swatch and they will really pop after blocking (remember when I said the blocking was going to be painstaking?). My sister wanted a shawl/veil that was “just for her” so I won’t be publishing this as a for-sale design at any point but I will put some extra details on a Ravelry project page once it’s done.

Check back in about two weeks’ time for post blocking pictures, hopefully including action shots from the day!